The Country Turning Upside Down, 2015

Installation, 48-foot photo panels and text
The Center for Land Use Interpretation
Exhibit Hall 1, Wendover Complex
July 2015-March 2016

As a resident artist at the Center for Land Use Interpretation (CLUI), Long researched and photographed the geophysical and cultural phenomena of mirages. This exhibition marks the culmination of that fieldwork.

The large panoramic photograph documents the Hellfire Launch, an annual amateur rocketry event held on the salt flats. Shot from a great distance, the scene appears doubled within a mirage—an atmospheric echo that turns the event into a self-reflecting spectacle.

The image reveals the social choreography of an amateur gathering on this scale, a strange theater inscribed in the landscape—“these plays, this lusus naturae,” as Antonius de Ferrari once wrote of mirages. Yet the image also breaks down: the digital file loses fidelity at this size, just as a mirage dissolves under the gaze of one who approaches it.

On the reverse side of the panels, accompanying texts—drawn from sources as varied as Aristotle, The Three Stooges, and the artist Joan Jonas—extend the work’s oscillation between science, humor, and poetics.


See wall texts [PDF].

Amateur Hellfire Missile Launch, Bonneville Salt Flats, Utah, 2013
*I gratefully acknowledge the work of Andrew Young, whose bibliography led me to many of the texts that appear in the installation. I also want to thank Carolyn Dinshaw, with whom I have collaborated in mind and spirit on many aspects of this project, as well as El Glasberg, Michelle Warren, and Jill Casid, whose deep engagement with my work lead me to new intellectual terrain. And to Ann Reynolds, who first connected me with CLUI. And finally, I thank the folks at CLUI for their generous support of this project and, more importantly, for bringing closer attention to the many nowheres that are somewhere here in the U.S.

PHOTOHOUSE37  
Commercial photography for non-profit organizations.

LINK TO MY HACKED DOMAIN 




Copyright, Marget Long, All rights reserved, 2025