Everyone I Owe, 2013
FFamed 19th-century photographer Mathew Brady could not control his spending. He binged on clothing, studio furnishings, elaborate props, and self-promotional materials—amassing debts that eventually drove him into bankruptcy. Everyone I Owe is a transcription of Brady’s handwritten list of creditors, discovered by Long in his 1873 bankruptcy court records at the National Archives.
Brady owed nearly everyone he worked with: photographers, suppliers, lithographers, painters, decorators, bookkeepers, advertisers, lawyers—even a plumber. The work transforms a legal record of financial collapse into a portrait of the artist as debtor, caught between vision and ruin.
Everyone I Owe also gestures toward Long’s own ambivalence about art-making—a day job, the long studio days, the absence of gallery interest, and the recurring expenditures on work that may never be seen. The piece becomes both mirror and ledger: an accounting of what art extracts, and what it leaves unpaid.
Everyone I Owe, 60 x 24 inch inkjet print on Archival Inkjet paper, Marget Long, 2011