“Crocker Land: A Mirage in the Archive” Turning Archival. Ed. Daniel Marshall and Zeb Tortorici. Durham and London: Duke University Press, 2022. 321-346. Print.
Curated by Sebastian Cichocki for the Silesian Museum in Poland, 289 148 is comprised of announcements in B2 format distributed throughout the urban landscape.
Long’s piece, Codex, riffs on the Adams Cable Codex, a telegraphic code published in 1894 at the tail end of the Gilded Age in the US. The Codex allowed wealthy, globetrotting families and corporate bucaneers to communicate coded transactions over the cable lines and shield their financial interests while travelling overseas.
UNIVERSITY OF MIAMI
Center for the Humanities Department of Geography February 16, 2017 Wesley Gallery, Coral Gabels, FLA
"Crocker Land: A Mirage in the Archive, artist’s talk in collaboration with Carolyn Dinshaw, Professor of Social and Cultural Analysis, New York University.
UNIVERSITY COLLEGE LONDON
Department of Art History March 18 5:30pm-7:30pm Past Imperfect Seminar Seminar Room 3/4, 20 Gordon Square, London
“Inverted Lands and Queer Objects: Mirages, Digital Maps, and the Historical Problem of Location" In collaboration with Carolyn Dinshaw, Professor of Social and Cultural Analysis, New York University
U.C. BERKELEY
Center for New Media
October, 12 2015 | 12:00-2:00 pm | 370 Dwinelle Hall
"Non-existent at 82° 30° N 108° 22° West: Mirages, Digital Maps and the Historical Problem of Location"
Lecture in collaboration with Carolyn Dinshaw, Professor of Social and Cultural Analysis, New York University.
THE CENTER FOR LAND USE INTERPRETATION
"The Country Turning Upside Down" CLUI Wendover, Exhibit Hall 1 July, 2015-September 2015
Long installed a forty-eight foot paneled photograph of a mirage in Exhibit Hall 1. Opposite the photo panels are texts about mirages gathered while Long was a resident at CLUI. The texts are pulled from sources as disparate as Aristotle, The Three Stooges, and Warren Buffett.
See exhibition images and text
DIGITAL QUEERS CONFERENCE
The New School & Goldsmiths June 25-June 27, 2015
Keynote Presentation: "Non-Existent at 82° 30° N 108° 22° W: Mirages, Digital Maps, and the Historical Problem of Location” with Carolyn Dinshaw
THE CENTER FOR LAND USE INTERPRETATION
Artist in Residence Wendover, Utah August, 2014
While a resident at CLUI, Long photograhed mirages and built and operated a "Mirage Viewing Station" for the public on the Bonneville Salt Flats.
See exhibition images.
REMOVING JAMES FRANCO
(OMG THIS IS SO EASY!) Spring, 2014
A feminist response to James Franco’s “New Film Stills,” on view at Pace Gallery.
Download PDF
NYU INSTITUTE ABU DHABI
United Arab Emirates
Artist Talk with Carolyn Dinshaw March 30, 2014
"Exploring Nowhere: Mirages, Digital Maps, and the Historical Problem of Location"
Watch video recording of lecture.
PETER FINGESTEN GALLERY
Pace University, New York City
"Oblique Strategies" January 27 – February 21, 2014 Reception: Feb 5, 2014 6-8pm
REANIMATION LIBRARY
Proteus Gowanus New York City
Jan 4-March 16, 2014 Opening Reception: Saturday, January 11
PROTEUS GOWANUS
Artist Talk with Carolyn Dinshaw Sunday, February 23, 2014 4:00 pm "Exploring Nowhere: Mirages, Digital Maps, and the Historical Problem of Location"
DARTMOUTH COLLEGE
MIRAGE | TIME Theory in Dispute II October 19, 2013
Carolyn Dinshaw (NYU, Department of Social and Cultural Analysis) and Marget Long (Visual Artist) will be giving a collaborative presentation on mirages, photography, medieval maps of Paradise and Geographic Imaging Systems (GIS) such as Google Earth.
ARTS, LETTERS & NUMBERS
“MIRAGE | HORIZON" Avril Park, New York July 27, 2013
Artist's talk and workshop on the topic of “horizon” at Arts, Letters & Numbers, an interdisciplinary space in upstate New York.
DIXON PLACE
"Otherwise: Queer Scholarship into Song" New York, New York April 4, 2013
Performance with composer and sound artist, Terry Dame.
ICP-BARD | CENTER FOR CURATORIAL STUDIES
Memories Can't Wait Symposium New York, New York December 14–December 15, 2012
Long will be speaking at this two-day symposium on art and the archive on December 15th at 11:30pm. All of the lectures a free and open to the public.
UNIVERSITY OF WISCONSIN-MADISON
Center for Visual Cultures November 1, 2012 "Mirages: Notes on Encounters with Slow Photography"
This talk uses the mirage as both photographic material and analytical object to think about the physical and temporal experience of photography today.
BABEL BIENNIAL CONFERENCE
"Cruising the Ruins" Northeastern University, Boston September 22, 2012 4:15-5:30
Presenting at the plenary session in collaboration with Carolyn Dinshaw at the BABEL Working Group's Biennial Conference. The talk is entitled "Unearthly Paradise" and will be at the Gordon Chapel at Old South Church, 645 Boylston Street.
HASTED KRAEUTLER
“31 Women in Art Photography” Opening Thursday, July 26th 537 West 24th Street New York, New York
BROOKLYN MUSEUM
"Raw/Cooked: Ulrike Müller" June 29–September 9, 2012 Elevator Lobbies, Floors 2–5 Long has a drawing in this exhibition at the Brooklyn Museum.
KUNSTHAUS BREGENZ
Bregenz, Austria "Herstory Inventory: 100 Feminist Drawings" April 21-June 24, 2012
PHOTOHOUSE37 Commercial photography for non-profit organizations.